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Hyper realistic Sculpture by artists Santissimi

Hyper realistic Sculpture by artists Santissimi.
Duo d’artistes italiens Santissimi pour Sara Renzetti et Antonello Serra.

L’hyper réalisme décuplent le côté dérangeant de leurs oeuvres, tout comme dans  le travail de Patricia Piccinini.
J’ai hâte de voir une de leur expo, notamment les « tableaux » in vivo, ou l’on doit frôler le temps suspendu, la mort et l’avenir (la cryogénisation)…
Le travail du Santissimi considère l’art comme une exploration de formes plus ou moins complices :  » l’empirisme philosophique dans l’art « .
L’empirisme philosophique signifie mettre en pratique le savoir, effectuer une opération de pensée ou pour être plus précis : traduire en termes visuels, la pensée scientifique et philosophique.
Comme le philosophe analyse la connaissance dans sa conception la plus théorique, décrivant et analysant les formes de manière purement «techniques et intellectuelles», dans la poétique de Santissimi l’apparition de cette connaissance est mise en scène dans l’œuvre de l’art, traversant les mots et les jeux qui sont cachés derrière les formes de la connaissance.
Le poétique lui-même n’est pas visible, mais il émerge de l’attente, de l’attention, de la peur et du mystère « au-delà des frontières de la connaissance. »
C’est le processus que vous vivez dans l’œuvre du Santissimi, au travers de la révélation : l’attendu est vaincu par l’inattendu, agir correspond à «être et agir : être agi» et les joies de l’accouchement sont enfin la création de l’œuvre.

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The work of the Santissimi looks at the art as an operational machine in which to cross, staying, the forms more or less accomplices of the knowledge that reflected in the definition: « philosophical empiricism in the art« . Philosophical empiricism means putting into practice the knowledge, to perform an operation of thought, or to be more precise, translate into visual terms, the scientific and philosophical thought .
As the philosopher analyses the knowledge in its most theoretical, describing and analysing the more purely ‘technical-intellectuals’ forms, in the poetic of Santissimi the appearance of that knowledge is put on stage in the work of art, practiced in the work of art (a collection of potency and act), crossing the words and games that are hidden behind the shapes of knowledge. The poetic itself is never a poetic declared, but it emerges digging the poetics of the wait, the attention, the fear and the mystery “beyond the borders of the knowledge.”The process that you live in the work of the Santissimi, it manifests through the sign of the revelation, so that: the expected is defeated by the unexpected, take action corresponds to « be acted » and the joys of childbirth are finally the creation of the work. (Source EN : saatchiart)

 

Hyper realistic Sculpture Santissimi - Natural History - AMBRA N°6

Hyper realistic Sculpture Santissimi – Natural History – AMBRA N°6

 

Visitez aussi ma page
« Sculpteurs addict » dédiée à tous les Sculpteurs hyper-réalistes contemporains« 

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Fabien Mérelle – Sculptures

Fabien Mérelle – Sculptures (FR) /
Diplômé des Beaux-Arts de Paris / Lauréat du prix Canson (2010) /
Ancien pensionnaire de la prestigieuse Casa Velázquez, à ­Madrid

Fabien Mérelle - Sculpture : Tronçonné - 2012 - Silicone, hair, fabric, wood, 2 M

Fabien Mérelle – Sculpture : Tronçonné – 2012 – Silicone, hair, fabric, wood, 2 M

‘Fatality’ Sculptures of Bahadır Baruter

‘Fatality’ series – Sculptures of Bahadır Baruter / Turkish (1963) caricaturiste et fondateur de « L-manyak »PenguenLombak cartoon magazines. Marié à l’écrivaine Mine Söğüt.

Bahadir Baruter - Fatality Series | Untitled VI

Bahadir Baruter – Fatality Series | Untitled VI

Ses sculptures hyper-realistes en silicone lui prennent des heures, elles requièrent beaucoup d’étapes qui ne sont pas toujours que des succès. Bahadır Baruter les créé d’abord digitalement et les impriment.
Il crée ensuite le moulage de la sculpture – faites en silicone, elles sont peintes en acrylique puis plongées dans un bocal.
Ses sculptures hyper-realistes semblent faire partie d’un cabinet de curiosité, spécimens isolés – plongés dans la solitude de leur formol.

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« This is a kind of silicon, it is not easy to make and use. So, we needed to maket hat material with a crowded team. It takes long hours. The quantity of the material that we throw is much more than that we use for the exhibition. Because we tried a lot of times and we failed. It requires several steps to create a sculpture. At first, I design them at a digital media, then we print them. We take a mould on those printouts. The moulds are covered with plastering, textures are created and after that process we take a mould again and they are painted and put in that liquid places. This is not a processcan be fulfilled with a few people in a few days. A very Professional team worked on that issue for one year. Yes, I imagined, fictionalized but thesesculptures are created by a huge team. Here is the division of labor; there is a moulder dealing with modelling wax, there are other people applying textures, others working on the computer. » (Source EN : Optically addicted)

Matières : Silicon, epoxy, acrylic resin, plexiglas, wood

Mukadderat (Fatality) – Bahadır Baruter from Atakan Avcı on Vimeo.

Christy Langer mixed media art

Christy Langer mixed media art sculptures and installation. (born 1980)
Christy Langer is a Canadian artist graduated with a Bachelor of Fine Arts Degree from the Ontario College of Art & Design (OCADU) in 2003.
Lived in Berlin.

Christy Langer - Sculpture Heavy Head - silicone, mohair, resin, oil paint, fibreglass 41 x 18 x 10 cm, 2010

Christy Langer – Sculpture Heavy Head – silicone, mohair, resin, oil paint, fibreglass 41 x 18 x 10 cm, 2010

Hyperrealist sculptor Kazushiro Tsuji

Hyperrealist sculptor Kazushiro Tsuji

Kazuhiro Tsuji - Sculpture Frida Khalo

Kazuhiro Tsuji – Sculpture Frida Khalo

Kazuhiro Tsuji is a contemporary hyperrealist sculptor living and working in Los Angeles. After working 25 years as a special effects makeup artist in Hollywood, Kazu decisively shifted focus in 2008, dedicating himself full time to fine art sculpture. Using resin, platinum silicone, and many other materials, Kazu constructs three-dimensional portraits in a scale two times life size.

Hyper Realistic Sculpture Steve Scott

Hyper Realistic Sculpture Steve Scott. Portrait Sculptor, Model/Prop Maker, Creature FX, Mouldmaker, Illustrator (UK)

Hyper Realistic Sculpture Silicone - Sigourney Weaver - Steve Scott

Hyper Realistic Sculpture Silicone – Sigourney Weaver – Steve Scott

Hyper realistic sculpture – Zarko Baseski

Hyper realistic sculpture – Zarko Baseski, Macedonian sculptor. He is a graduate of the Faculty of Fine Arts in Skopje in 1988 and acquired the M.A. degree at the same institution ( in 1998) and later became the school’s Sculpture Department professor in 2010.

Zharko Basheski Sculpture, Macedonian sculptor. Currently working in the field of hyperrealistic contemporary sculpture and self-portrait sculpture.

 

Zarko Baseski - sculptures hyperrealiste - Ordinary man

Zarko Baseski – sculptures hyperrealiste – Ordinary man

From 1984 and on, his work has been presented at several international exhibitions. He has been the recipient of numerous awards. Much of his work is in private collections in the country and in foreign countries.

Sculptures hyperRéaliste de Tony Matelli

Sculptures hyperRéaliste de Tony Matelli. Born 1971 Chicago – Lives and works in New York.

Tony Matelli - sculpture hyperrealiste - Old Enemy, New Victim1, 2006

Tony Matelli – sculpture hyperrealiste – Old Enemy, New Victim1, 2006

Wood Art sculptures by Aron Demetz

Wood Art sculptures by Aron Demetz. Italian artist, born 1972. Europe exhibition Rome, Vienna, Milan or London.

Aron Demetz est un artiste italien né en 1972. Il créé des sculptures (bois d’érable et silicone) dans des poses tantôt sombres, tantôt mélancoliques, jouant sur des figures adolescentes ou enfantines.
Elles sentent l’odeur de résine ou de vernis, tente de symboliser les énergies biologiques et cosmiques qui animent tout être humain. A découvrir ses dernieres sculptures carbonisées.

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For years, Aron Demetz (1972) has been focusing on the human figure, on contemporary characters which appear to be frozen in poses of the antique portraiture or paralysed in bizarre postures. This realistic gallery, which very often displays children or adolescents, is highly distinguished because of its formal composure while, at the same time, an atmosphere of melancholic meditation enshrouds the sculptures and makes them somehow classic and somehow stringently modern.
In the last two years the artist has dedicated himself to a different projection of the human figure moving from the reflection and the research on emotions to a form of expression which wants to return to its origins, to the most profound human roots. Next to wood (which, however, always remains the soul of all the works) Demetz started to experiment with different materials such as silver and aluminium foils which bestow an aura of original uniqueness on the works, a condition of ethereal pureness. To the spectator, they suggest a metamorphosis, the feeling of observing a being which is changing, which is ready to start a new life, to exploit new possibilities. Through associations, images and symbols these sculptures speak to collective conscience. Fully aware of their own physicality and their physical and spiritual changes, the sculptures most often evoke the constant and meticulous research of the human “position”. A position which, on the one hand, has to be understood in a symbolic way (‘man’ understood as a symbol of power and at the same time of humility), but on the other, it has to be seen in a real, physical way – a position in a space with whom mankind has to interact daily.
Recently, Aron Demetz presents a series of works which centres around the topic of cujidures – “seams”. In order to approach this new challenge, the artist chose resin as material to create his figures. The needed resin was collected with great patience from the wounds of the trees in the forests in Val Gardena. This instable material which is in constant change has intrinsic characteristics which are highly evocative. It has a strong scent, it can crystallise, melt, change colour (from an intense yellow to red or black), it can be very sticky or even conserve organic traces and small animals inside itself.
By putting resin on his faces and busts, Demetz lays a new skin which saturates, welds or stitches their wounds (which have to be understood as wounds of the soul, as thoughts and important feelings). It is a living skin which not only covers, but even enters the works of art. Once again these sculptures display a range of different, even opposite meanings. Next to stirring life, hope and renewal the sculptures also express something archaic and primitive, a being which visibly evokes a mummified figure and which immediately makes the spectator think of rot and death. Therefore, these works trigger off a reflection on the body as a biological and vital structure with its moods, its smells, its heat and its limits. The works spread a twine of visceral energies which enshrouds everyone who enters the meanders of this primitive cosmos.

Expo :  Mexico, DF. http://terrenobaldio.com 

 

Artistes sculpteurs hyperrealistes contemporains

SCULPTURES ADDICT. MOUVANCE HYPER-RÉALISTE CONTEMPORAINE.

A l’occasion de l’exposition Ron MUECK à la Fondation Cartier, 2013, retrouvez tous les sculpteurs hyperRealistes contemporains sur ma page « SCULPTURES ADDICT »
>> Xooang Choi, Patricia Piccini, Ron Mueck, Tip Toland, et aussi Sam Jinks, Evan Penny, Jamie Salmon, Mu Boyan, Liu Xue…

Making off de l’expo Ron Mueck à la Fondation Cartier – Paris 2013

Making off de l’expo Ron Mueck à la Fondation Cartier – Paris 2013
et la création accélérée de « A girl » / 2006 par Ron Mueck :
http://youtu.be/8d-Yub0lu7Q

VOIR AUSSI MA PAGE DANS “SCULPTEUR ADDICT SUR LES SCULPTEURS HYPER-RÉALISTE

Entre Ron Mueck et Patricia Piccinini, mon coeur balance…

Entre Ron Mueck et Patricia Piccinini, mon coeur balance…

 

/// Exposition RON MUECK
Du 16 avril au 29 septembre 2013, la Fondation Cartier pour l’art contemporain invite le sculpteur australien Ron Mueck à présenter ses œuvres émouvantes et troublantes, marquant son grand retour institutionnel en Europe.
Après le succès de 2005 à la Fondation Cartier, cette nouvelle exposition personnelle est la plus complète et la plus actuelle de la production de l’artiste. Elle dévoilera notamment, outre six œuvres récentes, trois sculptures réalisées spécialement pour l’exposition. Ces œuvres, révélées dans l’intimité de leur création à travers un film inédit, réaffirment toute la modernité d’un art à fleur de peau, aussi puissant qu’évocateur.

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Entre Ron Mueck et Patricia Piccinini, mon coeur balance…
Tous les deux d’origine australienne, ils ont en commun de travailler la sculpture de maniere ultra-réaliste : silicone, matériaux plastiques ou organiques – poils d’humains ou d’animaux…
Ron Mueck fait dans la démesure humaine, Patricia Piccinini travaille quant à elle à notre mutation…
Visitez le site de Patricia Piccinini. /

EXPO de Patricia Piccinini : du 26 Apr 13 au 30 Juin 13, Nature of the Beast, The New Art Gallery Walsall, ENGLAND.

et découvrez Ron Mueck en video, la création de la sculpture Born :

Visitez aussi ma page
« Sculpteurs addict » dédiée à tous les Sculpteurs hyper-réalistes contemporains« 

bodyguard - piccinini


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