Thomas Christian – Sculptures mixed-media Art,
doublées d’une bonne dose de délires parsemés d’un « haaaaappyness » figuratifs hors du commun.
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212 ArticlesThomas Christian – Sculptures mixed-media Art
Alberto Bustos – Ceramiste de Talent !
Alberto Bustos – Ceramiste de Talent ! (Espagne)
Découvrez ses magnifiques sculptures !
NICOLAS RUBINSTEIN, vous êtes ici ! jusqu’à l’os !
NICOLAS RUBINSTEIN, vous êtes ici ! jusqu’à l’os ! (né le 21 avril 1964 à Paris, France. Il vit et travaille à Marseille.)
« Un des aspects fondamentaux de mon travail est l’envie de révéler la structure cachée, l’ossature intérieure, l’anatomie des êtres et du monde, avec l’intuition, je dirais même la conviction, qu’il y a là un secret caché, une explication à trouver. Mon travail est très proche d’une démarche scientifique, avec pour hypothèse de travail, la recherche d’un message à décrypter, et ma « mission », car je dois bien confesser que je considère cela comme une mission, étant de mettre à jour et de comprendre ce message! Même si pour le moment, je ne comprends pas grand chose… » Nicolas Rubinstein, 2009
Japanese artist Masayo Odahashi’s glass Sculptures
Japanese artist Masayo Odahashi’s glass Sculptures illustrate the universal complexity of our human nature. [Japon]
Figurative Mixed-Media sculptures of Cathy Rose
Figurative Mixed-Media sculptures of Cathy Rose. (Nouvelle Orléans / Louisiane)
« I’m an artist. I’ve been saying this since I was nine and now I’m 59 and I think I’m starting to believe it. »
Figurative sculptures of Carrianne Hendrickson
Figurative sculptures of Carrianne Hendrickson.
I make work about human and animal nature. I gravitate towards figurative and animal imagery that has a dreamlike quality. I exhibit work locally and nationally. I generally make work under 28” in height as I prefer work that is easily transported, and displayed. I am very much influenced by contemporary figurative art. I force myself to work a certain number of hours per week on the actual hands-on creation of my pieces. I work weather I’m inspired or not. If I don’t have a particular idea, I work anyway and let the ideas come. I don’t believe that inspiration is the motivator of art; I believe hard work is. If you work hard enough, inspiration will come. I research galleries and am not afraid to contact them. The worst they can say is no. I also produce as much as I can. I try to find galleries in which my work would fit. Lately, I have been getting more and more invitations to be in shows all over the country. I find this really flattering and love this new avenue that seems to be opening up for me.
She lives in Buffalo, New York, and is represented by Del Mano Gallery in Los Angeles, California.
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Abstract textural art by Anne Mudge
Abstract textural art by Anne Mudge, née en Pennsylvanie, vit et travaille actuellement dans Elfin Forest, Californie.
Ses créations filandreuses sont fluides, poétique et élégantes, pleine de tensions et de forces, accrochent le regard par leur équilibre et leur complexité.
Anne Mudge Artist Interview
Hyper realiste trophée sculptures
Hyper realiste trophée sculptures – Ruth Collett was born in Knutsford, Cheshire and moved to London to study at Wimbledon School of Art where she received a BA (Hons) in Technical Arts. She now lives in Hampshire where she can usually be found in her second home – the shed! It is here that she creates her fabulous sculptures and between projects also inserts hair for the world-famous Madam Tussauds.
Ruth is very much inspired by great artists such as Ron Mueck and Franz Messserschmidt and this led her to creating her humorous character heads where expression has an important role. She is very much looking forward to extending this unusual family tree !
Steampunk sculptures by Jessica Joslin
Steampunk sculptures by Jessica Joslin / « Millennial Gepetto Jessica Joslin spends most of her days at a Victorian watchmaker’s desk, building a menagerie out of brass and bone. She is an unabashed science nerd, antique hardware fetishist and power tool connoisseur. Known associates with the same last name include: husband Jared Joslin, a brilliant painter of dames and dreams and brother in law Russell Joslin, an incisive photographer of personae and the editor of Shots Magazine. »
Art Paper & Wire Sculpture by Polyscene
Magnifique travail du papier / Art Paper & Wire Sculpture by Polyscene (england)
Katharine Morling Fine Ceramics
Katharine Morling Fine Ceramics. (England)
« My work has been a personal narrative, which alludes to tales, dreams and nightmares. I bring my drawings alive in 3D. My work is often life-size or larger; a chair will stand a metre tall. The work has been of a domestic nature, taking inanimate objects such as chairs and layering them with emotion. As I build up piece by piece, I have created rooms with atmosphere where unexpected feelings arise from apparently mundane objects.
I work very instinctively, one piece leads to the next, I try not to pin down what I am doing or even why. I have to trust and believe that I can communicate through this medium.
My searching is never complete; each piece is a journey for answers that are only hinted at, with more questions.
I predominantly work in clay but use other materials when I feel it is necessary: glass, string, wood, raffia and mirror. »
Aerial taxidermy art by Claire Morgan
Aerial taxidermy art by Claire Morgan, born in Belfast in 1980, and now lives in London.
She graduated from Northumbria University in 2003 with a first class honours degree in Sculpture and is now based in London. Claire has exhibited internationally, with solo and group shows in UK and Europe, and museum shows in US and Australia.
« My work is about our relationship with the rest of nature, explored through notions of change, the passing of time, and the transience of everything around us. For me, creating seemingly solid structures or forms from thousands of individually suspended elements has a direct relation with my experience of these forces. There is a sense of fragility and a lack of solidity that carries through all the sculptures. I feel as if they are somewhere between movement and stillness, and thus in possession of a certain energy.Animals, birds and insects have been present in my recent sculptures, and I use suspense to create something akin to freeze frames. In some works, animals might appear to rest, fly or fall through other seemingly solid suspended forms. In other works, insects appear to fly in static formations. The evidence of gravity – or lack of it – inherent in these scenarios is what brings them to life, or death. »
Kate Clark, L’ animal est un homme inexpressif
Kate Clark, L’ animal est un homme inexpressif * et je reste dubitative de son travail, n’étant absolument pas fan de la taxidermie en général. [animal is an expressionless man]
Kate Clark is a sculptor who lives and works in Brooklyn, NY. Her work studies the tension between personal and mythical realms by creating sculpture that synthesizes the human face and the body of wild animals.
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« Son concept est né lors de ces études, à l’université d’Ivy League, en lisant le livre « Becoming Human : Evolution and Human Uniqueness » de Ian Tattersall.
Elle s’attarde sur un chapitre sur l’évolution du visage humain. Cette partie du livre traite des changements spécifiques ayant eu lieu sur le faciès humain avec le temps tels que le visage imberbe, le blanc des yeux, les sourcils, … et en quoi ils ont permis de faciliter la lecture d’une grande variétés d’expressions faciales.
Ces oeuvres sont créées à partir de vraie peau animale. Pour la création des têtes, elle sculpte les visages de ces oeuvres de manière à ce qu’elles soient crédibles et réalistes.
Les sections de peau qui recouvrait auparavant le visage de l’animal sont rasées de leur fourrure et apposées sur le visage sculpté en prenant soin de faire concorder, par exemple, les cils et les paupières de l’animal avec le pourtour des yeux humains. Cette peau rasée rappelant, par son côté huileux et poreux la peau humaine pour plus de réalisme bien que les coutures et points montrent un travail de reconstitution. Il a fallu de nombreux essais pour qu’elle soit capable de trouver l’équilibre entre les traits faciaux animaux et humains.«
*(Titre et une partie de l’article, lire la suite sur efonderie)