Stroff Denis – Mixed media sculptures (Belgique)
Sculptures, technique mixte : Bois, papier, papier mâché, acrylique, coton, lin, ficelle.
Poétiques, macabres et dérangeantes, les sculptures de Stroff, artiste autodidacte.
Stroff Denis – Sculptures mixed media
(voir aussi les sculptures mixed-media de Sabrina Gruss)
Sonya Fu digitale art, spleen art – Visual artist from Hong Kong
« Art is a powerful visual language and creating art is a calming and therapeutic process. I would like to share with people my dreamscape, its beauty and its oddity. It might be an eerie creature, a whimsical scenery or a disturbed beauty who speaks words of wisdom – they are all embodiments of my subconscious mind. If my work manages to stir emotions and provoke thoughts, then I am doing the right thing as an artist – creating and conveying emotion. » says Fu.
Sonya Fu – Digitale art
3D Lenticular work – « So Close Yet So Away » (2015) at AP Contemporary’s booth, Art Busan 2015, South Korea
Horrific and fascinating sculptures Sarah Louise Davey. (USA)
Sarah Louise Davey – Buttercup sculpture
Disturbing beautiful sculptures by Sarah Louise Davey are painted ceramic, embodying creatures with tortured, glazed stares, and strange growths either covering their eyes or framing them like sick, rotten petals of flesh carved out around an astonishingly open iris. They look like paintings on porcelain, and the bold, dark lines sketching their features out against the chalky whiteness of the ceramic hold a horrific and fascinating quality.
Inquietantes sculptures de Sarah Louise Davey, incarnant des créatures torturées, aux regards vitreux, avec souvent des excroissances étranges – couvrant les yeux ou la bouche. Ses sculptures ont un aspect porcelaine, une blancheur crayeuse leur donnant une aura nauséabonde et fascinante.
AWSOME Mixed media sculptures of Kris Kuksi
et le mot est faible face à son imagination, des détails et de la technique !
(Born 1973, in Springfield Missouri and growing up in neighboring Kansas)
A post-industrial Rococo master, Kris Kuksi obsessively arranges characters and architecture in asymmetric compositions with an exquisite sense of drama. Instead of stones and shells he uses screaming plastic soldiers, miniature engine blocks, towering spires and assorted debris to form his landscapes.
The political, spiritual and material conflict within these shrines is enacted under the calm gaze of remote deities and august statuary. Kuksi manages to evoke, at once, a sanctum and a mausoleum for our suffocated spirit. Guillermo del Toro
L’être humain a aussi quelquechose d’effrayant – Sculptures de Hans Jorgensen, né en 1948 au Danemark. Il est diplômé des Beaux Arts de Copenhague. Il séjourne à L’étranger pendant plusieurs années : d’abord au Maroc puis en Espagne à Madrid où il travaille avec des artistes de la Casa Velasquez sur une recherche autour de l’œuvre de Goya. Il Se fixe ensuite en France et se consacre à la sculpture.
Saltimbanques agités, mannequins décharnés, démantibulés, de quel enfer nostalgique de fiel et de hasard, vous êtes vous échappés ? De quel désespoir aigu êtes vous revenus ? Vous hantez nos misères et vous saccagez nos habitudes. Vous réveillez le chaos sublime endormi dans nos passages cloutés. Vous éveillez nos bas-fonds perdus. Vous enchantez nos pulsions détruites, vous dansez à vif et à cru sur l’ennui de nos écrans, et vous ensanglantez nos routines. Créatures de survie sauvage, vous nous sauvez la vie, et nos démons s’enracinent aux affres de vos désirs… Christian Noorbergen
EXPO : jusqu’au 20 octobre 2014. Galerie Jean-marc Laik, Altenhof 9 – 56068 Koblenz Allemagne
Macabre sculptures Olivier de Sagazan. Born 1959. (FR)
Olivier de Sagazan – Macabre sculptures
For more than 20 years, Olivier de Sagazan has developed a hybrid practice that integrates painting, photography, sculpture, and performance. In his existential performative series Transfiguration, which he began in 2001, de Sagazan builds layers of clay and paint onto his own face and body to transform, disfigure and take apart his own figure, revealing an animalistic human who is seeking to break away from the physical world. At once disquieting and deeply moving, this new body of work collapses the boundaries between the physical, intellectual, spiritual and animalistic senses. The artist states: “I am interested in seeing to what degree people think its normal, or even trite, to be alive.” Olivier de Sagazan has exhibited widely in France and Europe,Canada, Brésil Corée in art galleries, museums, and film festivals. With an almost cult following online, and rave reviews about his expressive and inimitable style, it is no wonder de Sagazan’s remarkable “body art” work is featured in the non-verbal film Samsara, the Sequel to Baraka, directed by Ron Fricke.
The beautiful macabre jewelry by Macabre Gadgets, Kiev, Ukraine.
Beautiful and Grotesque Art-Dolls of Nita Collins (Etats-Unis)
Dans la grâce des anges…
Nita collins – Still_she_has_no_name by Sleetwealth Art dolls
Francesco Albano’s human body sculptures drip, melt, hang, and often appear to be boneless.
Currently works and lives in Istanbul. (born 1976)
Francesco Albano – THE AGE OF GAMES HAS GONE – hyperrealiste sculpture
Francesco Albano graduated from Fine Art University of Carrara in 2000 and won the National Prize of Arts – MIUR for sculpture in 2005. He had his first solo show titled ‘Everyday Bestiary’ in Milan in 2008 and second solo show titled ‘Five Easy Piece’ at Ex Marmi Gallery in Pietrasanta in 2009. In 2011, his works were exhibited in group shows titled ‘The State of Art, Tese di San Cristoforo, Arsenale’ in Venice concurrent with Venice Biennial and ‘P.I.E.T.A.S.’ at Studio 9 in Istanbul.
Check out Albano’s skincentric sculptures below, which transform our banal bodysuits into a glorious labyrinth of cellulite and wrinkles. Monstrous, animal and human, the works prove that skin is at its most fascinating when delivered raw.
Sculptures hyper-realiste macabre de Berlinde De Bruyckere – très éprouvantes.. (née en 1964)
La sculptrice flamande crée des sculptures et des dessins de corps humains souffrants qui ressemblent à s’y méprendre à la réalité. Elle mêle dans ses sculptures des motifs religieux, des images médiatiques et inscrit le motif chrétien de l’être humain souffrant dans l’époque contemporaine. La confrontation avec le corps à laquelle se livre l’artiste conduit à des questionnements sur l’éthique de notre société et sont le lieu d’interrogations fondamentales sur la nature de l’être humain.
BERLINDE DE BRUYCKERE – Horse sculpture
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