Les sculptures déstructurées en bois de Hsu Tung Han / 韓旭東 Hsu-Tung Han – Artist from Taiwan, Wood sculptor
Les sculptures déstructurées en bois de Hsu Tung Han / 韓旭東 Hsu-Tung Han – Artist from Taiwan, Wood sculptor
Katarzyna Okrzesik-Mikołajek – Horses photography (Canada)
Magnifique video Drybarrows Fell Ponies stud farm
Sculpture en marbre issue d’une fontaine italienne du 19ème siècle.
Galerie Victor Werner
Neil Clifford Bronze & Granite Sculptures (Canada)
“The quality of our lives is enriched and enhanced by surrounding ourselves with art that express values beyond their aesthetic, that possess intelligence in their creation, that one can interact with and that will stimulate the senses every time one engages with them.
Over the past thirty-five years I have travelled to remote areas of the planet, fascinated by cultures who live in community with nature – to engage with artists whose work is imbued with powerful connections to their ancestral lands. The awareness that art-making acts as a vehicle for understanding our place within a greater context, guides my own artistic pursuits.”
(Ce n’est pas vraiment mon style de sculpture, mais la sculpture du cheval est magnifique.)
« Pour donner à cette sculpture tout son pouvoir, ou « dynamique interne », je développé un procédé qui fait éclater le vernis du cheval. Une fois durci, les pigments révèlent une myriade craquelée aléatoirement – un paysage en surface tout à fait inattendue comme les couleurs absorbées par la matière.
Une illustration unique est née, sans possibilité de précision dans la reproduction ou dans la cohérence de la finition. »
“Spirit Within”
2013 One of a Kind
Hydrocal, Steel, Pigment
27″H 24″W 8″D
To give this sculpture its power, or “internal dynamic”, I developed a process that shatters the veneer of the horse as it is cast. Once cured, pigments wiped across the sculpture reveal myriad random cracking and unseen textures – a wholly unexpected landscape surfaces as the colours are absorbed by the material. A unique artwork is uncovered, with no possibility for accuracy in reproduction or consistency in finish.
Leggings horse style/ Mes leggings sur RedBubble.
Super extensibles et doux ! 5 tailles !
Available in sizes from XXS to XL. Full print front side and back side. Made with 82% Polyester, 18% Elastane with a stretch waistband.
Horses sculptures of Saone de Stalh. (FR) née en 1984.
Sculpteur-plasticienne, elle se consacre entièrement à un projet : la réalisation de sculptures équestres monumentales.
Les sculptures de cette jeune artiste trouvent leurs racines dans les hantises secrètes où prennent vie les mouvements naturels à l’animal. La langue de la matière se lit surtout à travers la structure de l’œuvre : dans les mains de Saône de Stalh le corps du cheval respire, instinct et imaginaire se rejoignent pour inventer un surcroit de présence. C’est précisément la combinaison de l’aspect de témoignage et l’amour des formes puissantes qui est alternée dans cette recherche abrupte, consciente, qui interroge l’homme sur son animalité. Au cours de ce cérémonial de création en clair-obscur, l’artiste permet à la ligne de dégager son incroyable force.
Une sculpture nécessite addition de plusieurs techniques. Au commencement, il y a le bois qui forme grossièrement la structure de l’animal. Les membres sont ensuite formés grâce à des moules en résine réalisés grâce à une première sculpture. Après le bois et la résine vient le papier qui donne une forme plus réaliste à la sculpture mais c’est ensuite l’application de plusieurs couches de résine qui donnera la forme finale au cheval. Pour niveler l’ensemble, plusieurs heures de ponçage sont ensuite nécessaires. La peinture donne alors la touche finale à l’ensemble.
Saône Stahl is a French artist born in 1984 Sculptor-visual artist, she devoted herself fully to a project: achieving monumental equestrian sculptures. The sculptures of this young artist are rooted in secret obsessions that come to life the natural movements of the animal. The language of the material reads mainly through the structure of the work: in the hands of Saône de Stalh, the horse’s body breathing: instinct and imagination come together to invent extra presence. It is precisely the combination of appearance and testimony of the love of powerful forms that alternates in this abrupt research, conscious, interviewing the man on his animal. During this ceremony on « light and dark », the artist allows the line to clear his incredible strength.
A sculpture requires addition of several techniques. In the beginning, there was wood that roughly forms the structure of the animal. Members are then trained through resin molds made through a first sculpture. After wood and resin comes the paper gives a more realistic shape to the sculpture but then the application of several layers of resin that will give the final shape to the horse. To level the set, several hours sanding are then needed. The painting then gives the final touch to the whole.
Expo : HIP Galerie à Paris du 20 au 28 novembre 2014 avec l’association ArAnima.
Beautiful work sculptures Nicola Hicks (UK) – born 1960.
Hicks studied at the Chelsea School of Art from 1978 to 1982 and at the Royal College of Art from 1982 to 1985.
Animals are her primary subject matter, usually sculpted in straw and plaster. This was unusual for an artist in the 80s, by which time abstract sculpture and installation art had become the norms in the art world. Hicks also works on huge sheets of brown paper on which she works up her dynamic charcoal drawings. Many of the sculptures have subsequently been cast in bronze, often with such subtlety that every fragile detail of plaster and straw is reproduced.
Nicola Hicks in America from So It Goes on Vimeo.
Horses sculptures by Stephanie Revennaugh, born 1973 – USA
I model form because it is the most natural way for me to express an idea or feeling. I model the horse because its form has been imprinted into my consciousness through long hours of interaction, focused observation and drawing. While I am fascinated with the beauty and elegance of equine design, it is the sensitive spirit of the horse which invites exploration of more abstract deeper meanings. Striving towards goals and seeking adventure juxtaposed to finding peace and serenity are themes that appear in my work, alongside thoughts on a gregarious social life versus introspective solitude.
Sculptures monumentales de Javier Marín. (born in Uruapan, Michoacan, Mexico in 1962)
Javier Marin’s sculpture a unique and dynamic blend of Western European and Mexican culture. Working quickly, primarily in clay, Marín does not refer to a model but instead relies on his remarkable knowledge of the human form gathered from years of drawing directly from the figure. Process is one of the artist’s most obvious passions, spikes of bronze are often left exposed to show the paths of molten metal flowing into the cast figure. During the creation of a work, words might be quickly inscribed onto the raw clay, holes gouged and support structures left exposed. It is this deliberate coarseness combined with his elegant classic approach to the figure that combines to give these works such power and substance.
(source txt : evokecontemporary)
Si il veut me prendre en stage, pas de problème…
Sculptures du Ceramiste animaliers Gaynor Ostinelli (England).
Tres bel art animalier, tres expressif et un tres beau travail du pigment.