Tous les articles tagués creation

143 Articles
  • Poché Studio – Dolls sculpture
  • Poché Studio – Dolls sculpture
  • Poché Studio – Dolls sculpture
  • Poché Studio – Dolls sculpture
  • Poché Studio – Dolls sculpture
  • Poché Studio – Dolls sculpture « Belle époque »
  • Poché Studio – Dolls sculpture
  • Poché Studio – Dolls sculptures
  • Poché Studio – Dolls sculpture « Belle époque »
  • Poché Studio – Dolls sculpture
  • Poché Studio – Dolls sculpture
  • Poché Studio – Dolls sculptures portrait

Poché Studio – Dolls sculptures


Poché Studio – Dolls sculptures (USA)

Poché Studio - Dolls sculpture

Poché Studio – Dolls sculpture

Dustin Poché est un mixed-mdeia artiste qui crée des sculptures, notamment des dolls. Il a suivi ses études au « Colorado Institute of Art ».
Il s’inspire de son amour pour la « Belle époque » et de son expérience première à New York où sa carrière s’est d’abord dirigé vers la création de costumes et d’illustrations dans l’industrie de la mode.
Ses première aventures dans le monde de la sculpture a commencé avec la restauration de poupées boudoir, vers 1920. Ces premières œuvres exposées, ont reçu beaucoup d’enthousiasme et d’admiration.
 » J’ai beaucoup appris à restaurer les poupées anciennes, mais il y avait quelque chose qui manquait dans le résultat final. J’imaginais des personnages aux visages, aux émotions et aux gestes plus expressifs. Afin de mettre ces personnages en lumière, je me suis rendu compte que je devais commencer à les sculpter par moi-même.« 

Ses idées proviennent de nombreuses sources ; D’expériences personnelles, d’émotions et de découvertes uniques.  » Mes pièces sont très personnelles… L’idée commence comme une image floue dans ma tête qui est mise au point au fur et à mesure que le personnage évolue. Mon travail est fait avec de l’argile de papier (papier mâché ?), et j’essaie différents médiums pour créer de nouveaux effets. « 

Poché aime travailler avec des textiles anciens, vintage et autres fibres naturelles pour créer les vêtements. L’utilisation de ces matériaux uniques ajoutent à l’authenticité de ses sculptures.
L’œuvre de Poché a été incluse dans des publications artistiques et exposée dans des expositions d’art. Il aime vraiment partager ses sculptures avec d’autres.
«Je suis reconnaissant aux gens d’aimer mon travail et je me réjouis d’autres créations à venir. Cela me donne énormément de plaisir de voir les gens réagir à mon art. Chaque réaction signifie qu’une pièce a évoqué une émotion et c’est ce qui me pousse à continuer à évoluer en tant qu’artiste. »

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Dustin Poche’ is a Midwestern multimedia artist who creates original sculptures and one of a kind fine art figures. He was formally educated at the Colorado Institute of Art. He draws inspiration from his love of period fashion and his work experience in New York, where his career involved costume design, textiles and illustration within the fashion industry.
His first venture into the figure and sculpting world began with the restoration of boudoir dolls, circa 1920. He exhibited those early works and they were received with much excitement and admiration.
I learned a lot while working with the antique dolls, but there was something missing in the end result. I imagined characters with more expressive faces, emotions,and gestures. To bring these characters to light, I realized I had to begin sculpting them.

His ideas come from many sources; personal experiences, emotions, and unique findings. Poche’ comments, “My pieces are very personal and I must be invested in the concept… The idea begins as an unclear image in my head which is brought into focus as the figure evolves. My work is currently done in paper clay but I’m always trying different mediums to create new effects.

Poche’ likes to work with antique and vintage materials to create the clothing. He feels the use of these unique materials adds to the authenticity of the figure and he enjoys working with natural fibers.
Poche’s work has been included in artistic publications and exhibited at art shows. He truly enjoys sharing his sculptures with others.
“I’m thankful for those who enjoy my work and I look forward to creating for many years to come. It brings me great joy to see people react to my art. Every reaction means a piece has evoked an emotion and that’s what drives me to continue to evolve as an artist.” (Source : Facebook page)

  • Plastic Bag Sculptures – Khalil Chishtee
  • Plastic Bag Sculptures – Khalil Chishtee
  • Plastic Bag Sculptures – Khalil Chishtee
  • Plastic Bag Sculptures – Khalil Chishtee – In the pursuit of spirituality 2006
  • Plastic Bag Sculptures – Khalil Chishtee
  • Plastic Bag Sculptures – Khalil Chishtee
  • Plastic Bag Sculptures – Khalil Chishtee
  • Plastic Bag Sculptures – Khalil Chishtee
  • Plastic Bag Sculptures – Khalil Chishtee
  • Plastic Bag Sculptures – Khalil Chishtee
  • Plastic Bag Sculptures – Khalil Chishtee – Gift
  • Plastic Bag Sculptures – Khalil Chishtee – Leer O Leer white trash bags

Plastic Bag Sculptures – Khalil Chishtee


Plastic Bag Sculptures – Khalil Chishtee (Origin Pakistan, resides in New York)

Plastic Bag Sculptures - Khalil Chishtee - In the pursuit of spirituality 2006

Plastic Bag Sculptures – Khalil Chishtee – In the pursuit of spirituality 2006

Chishtee croit que l’art devrait refléter directement la vie et l’expérience de son créateur. Elle utilise la nature fragile du plastique pour en faire la jonction; Comme ils se déchirent et se décolorent, son art s’en trouve fané et vieilli. Comme des fantômes, ses sculptures (comme « un père embrassant son fils » ou « un autoportrait barbu de l’artiste ») pendent suspendues au milieu de l’air, légères et tombantes.
Les sacs poubelle blancs sont spécifiquement utilisés pour représenter l’âme de chaque sujet. Un sentiment d’incomplétude pour chaque pièce.
Tout comme l’univers continue à évoluer, Chishtee permet à son art de se déformer et d’évoluer dans sa fabrication.

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Chishtee believes that art should be a direct reflection of its creator’s own life and experience. He uses the fragile nature of plastic to make his point; as it rips and fades away, it implies that the figure is also faded and aging. Like ghosts, figures such as a father embracing his son and a bearded self-portrait of the artist hang suspended in mid air, feather light and falling apart. White trash bags are specifically used to represent each subject’s soul. There’s an incomplete-ness to every piece. Just as the universe continues to evolve, Chishtee allows his art to distort and change in its making.

  • Sam Jinks The Hanging Man 2007
  • Sam Jinks The Hanging Man 2007
  • Sam Jinks Still Life (Pieta) 2007
  • Sam Jinks Still Life (Pieta) 2007
  • Sam Jinks Tattooed Woman, 2007
  • Sam Jinks Tattooed Woman, 2007
  • Sam Jinks Untitled, 2007
  • Sam Jinks -Doghead, 2008
  • Sam Jinks -Doghead, 2008
  • Sam Jinks Duo, 2008
  • Sam Jinks Duo, 2008
  • Sam Jinks – Woman child – 2010
  • Sam Jinks – in Personal Structures Time Space Existence @ Venice Art Biennale – 2013
  • Sam Jinks – in Personal Structures Time Space Existence @ Venice Art Biennale – 2013
  • Sam Jinks – in Personal Structures Time Space Existence @ Venice Art Biennale – 2013
  • Sam Jinks – in Personal Structures Time Space Existence @ Venice Art Biennale – 2013
  • Sam Jinks – in Personal Structures Time Space Existence @ Venice Art Biennale – 2013
  • sam jinks – Time, Space, Existence
  • Sam Jinks – Silicone, pigment, resin, human hair – 36 x 36 x 18cm-2012.
  • Sam Jinks sculptures hyperrealiste
  • Sam Jinks sculptures hyperrealiste
  • Sam Jinks sculptures hyperrealiste
  • Sam Jinks sculptures hyperrealiste – Immortally Project
  • Sam Jinks sculptures hyperrealiste
  • Sam Jinks sculptures
  • sam jinks – sculptor portrait
  • Sam Jinks exhibition Melbourne 2017

Sam Jinks hyperrealiste sculptures


Sam Jinks hyperrealiste sculptures. (Australian sculptor).

Sam Jinks sculptures hyperrealiste

Sam Jinks sculptures hyperrealiste

Retrouvez tous les sculpteurs hyperRealistes contemporains sur ma page « SCULPTURES ADDICT »

Sam Jinks Exhibition Melbourne 2017

Sam Jinks Exhibition Melbourne 2017

EnregistrerEnregistrer

  • Midori Harima – Paper sculptures – America
  • Midori Harima – Paper sculptures – America
  • Midori Harima – Paper sculptures – America
  • Midori Harima – Paper sculptures – Lost acquisition
  • Midori Harima – Paper sculptures – Lost acquisition
  • Midori Harima – Paper sculptures – Never mind mind
  • Midori Harima – Paper sculptures – Never mind mind
  • Midori Harima – Paper sculptures – Never mind mind
  • Midori Harima – Paper sculptures – Never mind mind
  • Midori Harima – Paper sculptures – Never mind mind
  • Midori Harima – Paper sculptures

Paper sculptures Midori Harima


Paper sculptures Midori Harima (Japan)
Most of this sculptures created with « Paper, Xeroxed archival paper, archival tape, methyl cellulose paste, paper clay.. »

La plupart de ses sculptures ont été créées avec : du Papier, papier d’archives Xerox, ruban d’archives, pâte de methylcellulose, papier mâché…

Midori Harima - Paper sculptures - Lost acquisition

Midori Harima – Paper sculptures – Lost acquisition

  • Magda Gluszek – Art Sculptures
  • Magda Gluszek – Art Sculptures
  • Magda Gluszek – Art Sculptures
  • Magda Gluszek – Art Sculptures
  • Magda Gluszek – Art Sculptures
  • Magda Gluszek – Art Sculptures
  • Magda Gluszek – Art Sculptures
  • Magda Gluszek – Art Sculptures
  • Magda Gluszek – Art Sculptures
  • Magda Gluszek – Art Sculptures
  • Magda Gluszek – Party’s Over, 2012, stoneware, glaze, flock, resin – Sculpture
  • Magda Gluszek – Too Much Cake, 2006, terracotta
  • Magda Gluszek Art – Keeping It Together, 2012, stoneware, glaze, fabric, wire, ribbon
  • Magda Gluszek – Art Sculptures
  • Magda Gluszek – portrait

Magda Gluszek – Ceramic Sculpture


Magda Gluszek – Ceramic Sculpture (USA)
Sculptures figuratives hybrides et satiriques, ses sculptures s’entremêlent dans un sentiment d’humour et d’horreur.

Magda Gluszek - Too Much Cake, 2006, terracotta

Magda Gluszek – Too Much Cake, 2006, terracotta

 

Magda Gluszek – Art Sculptures

  • Pablo Hueso Art Sculpture
  • Pablo Hueso – Sculpture – figura-ne346-2016
  • Pablo Hueso – Sculpture – figura-ne346-2016-back
  • Pablo Hueso – Sculpture – figura-ne-342-2016
  • Pablo Hueso – Sculpture – Figura-ne-340-2016
  • Pablo Hueso – Sculpture – figura-ne-339-2016
  • Pablo Hueso – Sculpture – figura-ne-338-2016
  • Pablo Hueso Art‏ – Sculptures
  • Pablo Hueso – Sculpture – Figura-ne-334-2016
  • Pablo Hueso – Sculpture – figura-ne-330-2016
  • Pablo Hueso – Sculpture – figura-ne-319-2016
  • Pablo Hueso – Sculpture – Figura-ne-310-2015
  • Pablo Hueso – Sculpture – figura-ma344-2016
  • Pablo Hueso – Sculpture – figura-ma-345-2016
  • pablo-hueso-renascenca-sculpture
  • Pablo Hueso Art Sculpture
  • Pablo Hueso Art Sculpture
  • Pablo Hueso Art Sculpture
  • Pablo Hueso Art Sculpture
  • Pablo Hueso Art Sculpture
  • pablo-hueso-sculpture-portrait

Pablo Hueso – Sculptures figuratives


Pablo Hueso – Sculptures figuratives (Espagne)

Pablo Hueso - Sculpture - figura-ne-342-2016

Pablo Hueso – Sculpture – figura-ne-342-2016

>> I LOVE your sculpture Pablo !!!

« La représentation de la figure humaine est une constante dans mon travail de conception, l’être humain est une source d’inspiration, devenant le protagoniste absolu et presque unique de la transmission des émotions à travers le langage du corps et de l’effort pour établir une communication sensorielle par l’expressivité d’un corps »

La representación de la figura humana ha sido así una constante en mis trabajos de diseño, y el ser humano, siempre una inagotable fuente de inspiración, convirtiéndose en protagonista absoluto y casi único, tanto de mi obra gráfica como de mi escultura, en un continuo estudio y reflexión sobre la anatomía, la transmisión de emociones mediante la gestualidad y el esfuerzo por establecer una comunicación sensorial a través de la expresividad de un cuerpo.

  • Stroff Denis – Sculptures mixed media
  • Stroff Denis – Sculptures mixed media
  • Stroff Denis – Sculptures mixed media
  • Stroff Denis – Sculptures mixed media
  • Stroff Denis – Sculptures mixed media
  • Stroff Denis – Sculptures mixed media
  • Stroff Denis – Sculptures mixed media
  • Stroff Denis – Sculptures mixed media
  • Stroff Denis – Sculptures mixed media
  • Stroff Denis – Sculptures mixed media
  • Stroff Denis – Sculptures mixed media
  • Stroff Denis – Sculptures mixed media
  • Stroff Denis – Sculptures mixed media
  • Stroff Denis – Sculptures mixed media
  • Stroff Denis – Sculptures mixed media
  • Stroff Denis – Sculptures mixed media
  • Stroff Denis – Sculptures mixed media – « Marqué » Mixed media – h. 55 cm
  • Stroff Denis – Sculptures mixed media – « Indoor Secret » 2014 – Mixed media
  • Stroff Denis – Mixed media sculpture
  • Stroff Denis – Sculptures Mixed Media Art
  • Stroff Denis – Sculptures mixed media
  • Stroff Denis – Sculptures mixed media
  • Stroff Denis – Sculptures mixed media
  • Stroff Denis – Sculptures mixed media
  • « Getting out the Pitt » – mixed media sculpture, Stroff Denis
  • Stroff Denis – Sculptures mixed media – portrait artiste

Stroff Denis – Mixed media sculptures


Stroff Denis – Mixed media sculptures (Belgique)
Sculptures, technique mixte : Bois, papier, papier mâché, acrylique, coton, lin, ficelle.

Poétiques, macabres et dérangeantes, les sculptures de Stroff, artiste autodidacte.

Stroff Denis – Sculptures mixed media

(voir aussi les sculptures mixed-media de Sabrina Gruss)

  • Alain Mailland – Sculpture Naissance des Drakkars2 – Greffe de cerisier – pigments
  • Alain Mailland – Sculpture Sola Rosa – Racine de filaire – Pigments
  • Alain Mailland – Sculpture Archipel – Loupe de robinier
  • Alain Mailland – Sculpture Bal des Oiseaux – Racine de pistachier
  • Alain Mailland – Sculpture Kind of Blue – Cornouiller – pigments
  • Alain Mailland – Sculpture Eight Dreams – Loupe d’arbousier
  • Alain Mailland – Sculpture the seed – Loupe d’Acacia
  • Alain Mailland – Sculpture La graine – Loupe d’Acacia
  • Alain Mailland – Sculpture Pavillon de la mer – Micocoulier
  • Alain Mailland – Sculpture Pollens – Micocoulier
  • Alain Mailland – Sculpture Sirocco – Loupe d’acacia
  • Alain Mailland – Sculpture The elegance of Pelagie – Pistachier
  • Alain Mailland – Sculpture Tous Ensemble – Loupe d’erable
  • Alain Mailland – Sculpture Vent d’Automne – Nerprun

Sculptures végétales de Alain Mailland


Sculptures poétiques et végétales de Alain Mailland (fr) /
Poetic and vegetale sculptures Alain Mailland

Alain Mailland - Sculpture La graine - Loupe d'Acacia

Alain Mailland – Sculpture La graine – Loupe d’Acacia

« Les sculptures que vous pourrez découvrir dans ce site sont pour moi, une façon de célébrer la vie et les merveilles secrètes des loupes et racines du midi.
Tourneur spécialisé dans le creusage du bois vert,  je tourne des pièces fines aux formes végétales ou marines.
Je sculpte ensuite ces ébauches pour obtenir des créatures hybrides, végétales, animales ou cosmiques… »

  • Zin Limit – Paintings – DESIRE
  • Zin Limit – Paintings
  • Zin Limit – Paintings – NOMAD#12
  • Zin Limit – Paintings – NOMAD#02
  • Zin Limit – Paintings – ID#17
  • Zin Limit – Paintings – ID no.22
  • Zin Limit – Paintings – ALLEGRO no.36.1
  • Zin Limit – Paintings – ALLEGRO no.32
  • Zin Limit – Paintings – ALLEGRO NO.21.2 (Spiccato)
  • Zin Limit – Paintings – ALLEGRO NO.12 (Spiccato)
  • Zin Limit – Paintings – ALLEGRO NO.5.1
  • Zin Limit – Paintings – Allegro NO.4.1

Zin Limit – Paintings


Zin Limit – Paintings (Born in Seoul, South Korea Zin Lim moved to San Francisco)
Lim works is predominantly cross-over (hybrid) figure in the medium of oil and charcoal.

Zin Limit - Paintings - ALLEGRO no.36.1

Zin Limit – Paintings – ALLEGRO no.36.1


Superbe animation « VERSUS »


Superbe animation « VERSUS » / A film by ManvsMachine for Maxon. Made with Cinema 4D Release 18.
Concept, Direction & Animation: ManvsMachine

"Versus" animation cinema4d

« Versus » animation cinema4d

 

The Scarecrow – Jim McKenzie


The Scarecrow – Jim McKenzie

The Scarecrow - Jim McKenzie

The Scarecrow – Jim McKenzie

« The Scarecrow » documents the complete step by step process of creating a character starting from a simple sketch in 2014 to a fully developed gallery show piece in 2016 debuting at Jim McKenzie’s « Lost Magic » at Copro Gallery.

  • Yuanxing Liang – Sculptures
  • Yuanxing Liang – Sculptures
  • Yuanxing Liang – Sculptures
  • Yuanxing Liang – Sculptures
  • Yuanxing Liang – Sculptures
  • Yuanxing Liang – Sculptures
  • Yuanxing Liang – Sculptures
  • Yuanxing Liang – Sculptures
  • Yuanxing Liang – Sculptures
  • Yuanxing Liang – Sculptures
  • Yuanxing Liang – Sculptures Chine

Sculptures épiques de Yuanxing Liang


Sculptures épiques de Yuanxing Liangdiplômé de l’Académie des Beaux-Arts du Sichuan (Chine)

Yuanxing Liang - Sculptures

  • David Oliveira – « Dog » wire sculptures
  • David Oliveira – « Dog » wire sculptures
  • David Oliveira – Wire sculptures dog
  • David Oliveira – Wire sculptures
  • David Oliveira – Wire sculptures Poumons
  • David Oliveira – Wire sculptures tree birds
  • David Oliveira – Wire sculptures
  • David Oliveira – Wire sculptures Octopus
  • David Oliveira – Wire sculptures Octopus
  • David Oliveira – Wire sculptures
  • David Oliveira – Wire sculptures
  • David Oliveira – Wire sculptures
  • David Oliveira – Wire sculptures
  • David Oliveira – Wire sculptures
  • David Oliveira – Wire sculptures
  • David Oliveira – Wire sculptures
  • David Oliveira – Expo sculptures
  • David Oliveira – portrait sculpteur Portugal

David Oliveira – Wire sculptures


David Oliveira – Wire sculptures (Portugal)

David Oliveira - Wire sculptures

David Oliveira – Wire sculptures

David Oliveira works are essentially a work of visual perception to the viewer. The truth behind each work lies on each one memories and their ability to stare and see.
Davids works are fragile, made of humble material and intimately related to the idea of the passage of time, in which, like with a human body subject to the role of the years and opposite to Oscar Wilde´s idea, his works do get old and get a “patine”. It´s over this idea of a continuous time schedule that David works his figures.
His figures play with their presence and their invisibility at the real space. This duality between opposite concepts is a constant in his work.
David innovative method relies in the Drawing methodology in surrounding areas through the use of the line, a line that in the hands of David becomes three dimensional and lives in the sculpture´s filed.
The Flesh in his works is not a barrier but work as a door to a new interior or exterior world. The idea itself of interior | exterior is questioned existing only in the perceptive path.
There are no boundaries in David´s work, this boundaries are put by each one only because each one as their own ideas of logic and knowledge.
Everything in his works, as we found in nature, relay on a structure. For David Oliveira his works must exist under the same conditions as everything in nature, nothing stands forever. Everything has a finite live, occupies a space (virtual or not) and are free. (text : Facebook profil)

 

  • Installation piscine roubaix sculptures – ESAAT 2016
  • Installation Musée de la Piscine Roubaix sculptures – ESAAT 2016
  • Installation Musée de la Piscine Roubaix sculptures – ESAAT 2016
  • Installation Musée de la Piscine Roubaix sculptures – ESAAT 2016
  • ESAAT – Installation Musée de la Piscine Roubaix – sculptures
  • Installation sculptures ESAAT roubaix musee piscine
  • ESAAT – Installation Musée de la Piscine Roubaix – sculptures
  • Installation sculptures ESAAT roubaix musee piscine
  • Installation sculptures ESAAT roubaix musee piscine
  • ESAAT – Installation Musée de la Piscine Roubaix – sculptures
  • ESAAT – Installation Musée de la Piscine Roubaix – sculptures
  • ESAAT – Installation Musée de la Piscine Roubaix – sculptures 2016
  • ESAAT – Installation Musée de la Piscine Roubaix – sculptures 2016
  • ESAAT – Installation Musée de la Piscine Roubaix – sculptures 2016
  • ESAAT – Installation Musée de la Piscine Roubaix – sculptures 2016

L’ESAAT au Musée de la Piscine de Roubaix


Installation de L’ESAAT au Musée de la Piscine de Roubaix.

ESAAT - Installation Musée de la Piscine Roubaix - sculptures 2016

ESAAT – Installation Musée de la Piscine Roubaix – sculptures 2016

Les étudiants de l’École Supérieure Arts Appliqués et Textile de Roubaix (ESAAT) ont travaillé et exposé des oeuvres dans le hall du Musée de la Piscine de Roubaix et ont surtout avec cette magnifique installation dans le Bassin: un plongeon acrobatique décomposé en figures successives avec des personnages aériens, faits en scotch, retenus par des fils de nylon. Installation prolongée jusqu’au 15 mai.

 

  • Mark Ryden – virgin and child painting
  • Mark Ryden – painting
  • Mark Ryden – Queen Bee 2013
  • Mark Ryden – Porcelain Meat Cart
  • Mark Ryden – Aurora painting
  • Mark Ryden – Aurora painting

L’univers pop surréaliste de Mark Ryden


L’univers pop surréaliste de Mark Ryden. (USA / born January 20, 1963)

Blending themes of pop culture with techniques reminiscent of the old masters, Mark Ryden has created a singular style that blurs the traditional boundaries between high and low art. His work first garnered attention in the 1990s when he ushered in a new genre of painting, « Pop Surrealism », dragging a host of followers in his wake. Ryden has trumped the initial surrealist strategies by choosing subject matter loaded with cultural connotation. Ryden’s vocabulary ranges from cryptic to cute, treading a fine line between nostalgic cliché and disturbing archetype. Seduced by his infinitely detailed and meticulously glazed surfaces, the viewer is confronted with the juxtaposition of the childhood innocence and the mysterious recesses of the soul. A subtle disquiet inhabits his paintings; the work is achingly beautiful as it hints at darker psychic stuff beneath the surface of cultural kitsch. In Ryden’s world cherubic girls rub elbows with strange and mysterious figures. Ornately carved frames lend the paintings a baroque exuberance that adds gravity to their enigmatic themes. 

Mark Ryden - Aurora painting

Mark Ryden – Aurora painting


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