Sensual painting Shen Ning (China, B. 1976) Encres sur soie / Inks on silk
Sensual painting Shen Ning
Tous les articles tagués Chine
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Sculptures épiques de Yuanxing Liang
Sculptures épiques de Yuanxing Liang, diplômé de l’Académie des Beaux-Arts du Sichuan (Chine)
Qian Sihua Sculptures
Qian Sihua Sculptures (Chine) – Resin Colored – human – animal hybrid work.
Sihua Qian – sculptures portrait artist
Sun Yuan et Peng Yu – Sculptures
Sun Yuan et Peng Yu – Sculptures (Chine)
Sun Yuan – Peng Yu – Angel sculpture
Sun Yuan et Peng Yu sont deux des artistes les plus controversés en Chine, renommée pour l’utilisation de matériaux extrêmes tels que : tissus humains, animaux vivants et cadavres de bébés.
Sun Yuan and Peng Yu are two of China’s most controversial artists, renown for working with extreme materials such as human fat tissue, live animals, and baby cadavers.
Beautiful art of Alice Lin
Beautiful art of Alice Lin. (China)
Alice Lin – you and me – Painting
Alice Lin is a Beijing based illustrator, painter.
She started studying calligraphy, Chinese painting and classical poetry when she was a child. She likes to use the techniques and tools of Chinese painting to express herself. Her style is rich and full of details, integrating watercolor and Chinese techniques to express a unique, weird and fanciful whimsical. Highly detailed and revealing the universe of the mind. This new and fascinating wonderland of possible realities combines with the human figure enforcing emotions.Material : Rice paper, water color, natural mineral pigment Technique..
Wang Zhi Jie { Beautiful modern PinUP }
Wang Zhi Jie { Beautiful modern PinUP } – Oil painting (China)
The voguish and gaudy single girl image in my works represents a whole group in our society, namely youngsters around their puberty. They regard themselves as matur and start to get some clue of life, in this age they tend to be most vulnerable to cultural heresies.
Wang Zhi Jie – 1972 Born in Qi Xian, Shanxi Province.
Remus and Romulus revisited by artist Liu Qiang’s
Remus and Romulus revisited by artist Liu Qiang’s. (China)
revisited Romulus and Remus – Artist Liu Qiang – sculpture (China)
Like a modern-day homage to the famous symbol of Rome, the statue of Remus and Romulus, artist Liu Qiang’s powerful sculpture entitled “29h59’59″ commands a powerful presence at China’s 798 Art District in Beijing. The exploitation of animals in modern agriculture and humanity’s perverse reliance on animals for food takes center stage in the riveting piece of art. We found the interpretation of a fellow Facebook fan, Joanna Lucas, particularly interesting. She posted the photo with the following caption:
“This stunning sculpture by Liu Qiang is an accurate depiction of humanity’s use of, and utter dependence on other animals and, in particular, the savage and bizarre habit of consuming the breast milk from mothers of other species—milk that these mothers have produced for their own babies, babies that we forced them to become pregnant with only to kill shortly after birth so that we can take the bereft mother’s milk, milk that we drink as though we were the children that we murdered.”
(Source texte : freefromharm.org)
La maison du thé LOGO | Vision Chine
La maison du thé LOGO | Vision Chine / Tea House, making logo – shijue.me
La maison du thé LOGO | Vision Chine
Ah Xian, artiste sculpteur
Ah Xian. Né en Chine en 1960. Après les événements de la place Tiananmen en 1989, il a demandé l’asile politique à l’Australie et vit à Sydney depuis 1990. Il aborde les questions entourant le déplacement culturel, idenditaire et la relation entre l’Est et l’Ouest. Ses œuvres récentes continuent à explorer les matériaux et les possibilités symboliques des techniques telles que laques, bronze et émail cloisonné pour représenter la forme humaine.
Ah Xian – Sculpteur
Ah Xian was born in Beijing in 1960. Initially trained as a painter, Ah Xian was a practising artist in China throughout the 1980s. Following the events in Tiananmen Square in 1989, he sought political asylum in Australia and moved to Sydney in 1990. Since the 1990s, Ah Xian has united traditional Chinese materials and techniques with a contemporary sculptural practice to address issues surrounding cultural displacement, identity politics and the relationship between East and West. His recent works continue to explore the material and symbolic possibilities of techniques such as lacquer-ware, bronze and cloisonné to represent the human form.
