Anormalité selon Eric Lacombe, Au regard des profondeurs de l’âme. Né en 1968, vit à Lyon.
Artiste peintre et digital painting.
Eric Lacombe – AN018 : 50 x 65 cm : acrylic and pen on paper / 2014
Lauren Marshall for Intimate Smoking-room Nudes Spring 2013
Lauren Marshall for Intimate Smoking-room Nudes Spring 2013
Cristal bubble room – Bubble tree
Craww Art – Digital and painting illustrations
Craww Art illustration – corbeau
« Craww likes ambiguity and his work explores his fascination with things that aren’t quite what they seem. Pretty things in dark places, nasty suprises masquerading in beauty, hidden stories and happy accidents, brought to life with a mix of elegance, balance and disciplined chaos.
His work is a story without an end – a stream of consciousness ramblethrough the woods, populated with skulls, crows and melancholic girlswith big hands. »
Dentelles illustratives de l’Artist Iain Macarthur.
« Born in Swindon, England, I became a fanatic of art at the age of eight when I was first introduced to art through the medium of cartoon television shows and comic books. My first ever comic book was from the Batman series. Ever since then I’ve been obsessed with art, drawing odd fantasy drawings and Anime characters.
I am influenced by many artists and illustrators – all with differing styles and mediums – and have turned to their work for artistic stimulation over the years. Among them are Alphonse Mucha, Gustav Klimt, Lucian Freud, Jenny Saville, James Jean, David Choong Lee, Sergio Toppi and Ashley Wood. I’ve also gained much inspiration through cartoons art and lighting; people’s facial expressions, eyes and different forms of organic patterns and shapes.
In 2008, I graduated from Swindon College with a degree in HND Illustration and hope to progress to a B.A. in Illustration sometime in the future. I’ve done a few exhibitions such as the Swindon College exhibition for Illustration and Graphic Design students, D/AD New Blood Exhibition at Earl’s Court London, and a solo Internet exhibition on Phone Booth Gallery.
My work can be described as surreal and unique in its own way. Using mostly pencil, watercolours and pigment pens, I create portraits of ordinary people but create them in a unusual way by, embellishing patterns and watercolour effects into the portrait to give a vivid explosion effect—transforming their faces from something plain to something entirely bizarre and wonderful at the same time.
I specialize in shirt designs, print designs, posters, album art, logos, branding, editorial illustration and private commissions. »
Sculpture by Byeong Doo Moon South Korean artist.
I have been dreaming to be a tree…II
Yuken Teruya – Toilet Paper cut, is an artist based in New York. Born in 1973, in Okinawa, Japan.
He works with various materials such as toilet paper rolls, paper shopping bags and butterfly chrysalises.
His ideas often reflect life and history of Okinawa, his homeland.
Crystal Beads Taxidermy by Kohei Nawa.
Japanese sculptor and assistant professor at Kyoto University of Art and Design, Kohei Nawa is known for his pixcell series, where countless transparent glass beads encase the artwork objects.
Strange.
« Most of the motifs, like stuffed animals are found through the internet. I search some auction sites and choose from the images which appear on a monitor as pixel. However, the stuffed animals which actually have been purchased and sent have real flesh feel and smell, and have a discrepancy with images on the monitor. I then transpose them to PixCell in turn. »
Corps & Ame de Benjamin Carbonne, Artiste peintre, performer
Parti de l’étude purement plastique de l’Homme, Benjamin Carbonne peint l’histoire de ses personnages. Chacune de ses peintures porte en elle un héritage quil s’attache à révéler dans les visages, les corps, la chair. Ne rendant compte avec précision que d’un détail -un bras, un buste, un regard- qui porterait en lui les traces de ce qui l’a construit.
Ses récentes recherches sur la relation entre peinture et photographie l’ont mené vers l’étude du mouvement et sa dissociation. Prendre le corps dans l’instant de sa course et, par une seule représentation, voir la progression dans son ensemble. Chaque position marque un état de transition. Déposé sur la surface de la toile, mobile, en marche, le corps s’élance librement sur l’axe du temps et de l’espace. Par sa démarche, Benjamin Carbonne nous montre ce présent que l’on ne peut pas voir, il choisit des gestes, des instantanés qui suggèrent le mouvement de toute une vie.
author inconnu. Casquette cachette à trou
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