Photographer, Peter Marlow – born kenilworth england, 1952.
“ I go for photography that overlays and enhances. By blending observation and wit with reason, I want my work to generate a sense of the unexpected, the hidden, and the seemingly spontaneous. ”
Auguste Derrière, fleuron de l’absurde et du jeu de mot laid.
Les fourmis n’aiment pas le flamenco – Cul de… par AugusteDerriere
Au début du XXe siècle, Auguste Derrière a sans aucun doute été le fleuron de l’absurde et du jeu de mot laid. Il révolutionna l’art naissant de la publicité par son approche peu commune du slogan, puis devint la coqueluche de l’élite culturelle de l’époque, avant de tomber dans les sombres profondeurs d’un oubli auquel il est plus que temps de mettre fin.
Livres : Les Moustiques n’aiment pas les applaudissements – Les Fourmis n’aiment pas le flamenco
Abonnez-vous d’urgence au blog Auguste Derriere
ainsi qu’à la page dédiée sur facebook.
et Voir aussi la boutique :)
Auguste Derriere – Plaque metal vive les cones en vente sur leur boutique
Aerial taxidermy art by Claire Morgan, born in Belfast in 1980, and now lives in London.
She graduated from Northumbria University in 2003 with a first class honours degree in Sculpture and is now based in London. Claire has exhibited internationally, with solo and group shows in UK and Europe, and museum shows in US and Australia.
claire-morgan – aerial taxidermy art
« My work is about our relationship with the rest of nature, explored through notions of change, the passing of time, and the transience of everything around us. For me, creating seemingly solid structures or forms from thousands of individually suspended elements has a direct relation with my experience of these forces. There is a sense of fragility and a lack of solidity that carries through all the sculptures. I feel as if they are somewhere between movement and stillness, and thus in possession of a certain energy.Animals, birds and insects have been present in my recent sculptures, and I use suspense to create something akin to freeze frames. In some works, animals might appear to rest, fly or fall through other seemingly solid suspended forms. In other works, insects appear to fly in static formations. The evidence of gravity – or lack of it – inherent in these scenarios is what brings them to life, or death. »
Steampunk Taxidermy Art by Lisa Black. Sculptor, Jeweller and Artist based in Auckland, New Zealand, born in Australia in 1982.
lisa black- fixed faon / Taxidermy sculpture art
Her love of animals and their form, combined with a preoccupation with an imminent future where technology and biology are intimately combined, led her to create her ongoing series of modified animals.
By creating beauty within this supposed paradox, she challenges the concept of a world separated into the ‘sacrosanct’ natural and ‘vulgar’ industrial.
Francesco Albano’s human body sculptures drip, melt, hang, and often appear to be boneless.
Currently works and lives in Istanbul. (born 1976)
Francesco Albano – THE AGE OF GAMES HAS GONE – hyperrealiste sculpture
Francesco Albano graduated from Fine Art University of Carrara in 2000 and won the National Prize of Arts – MIUR for sculpture in 2005. He had his first solo show titled ‘Everyday Bestiary’ in Milan in 2008 and second solo show titled ‘Five Easy Piece’ at Ex Marmi Gallery in Pietrasanta in 2009. In 2011, his works were exhibited in group shows titled ‘The State of Art, Tese di San Cristoforo, Arsenale’ in Venice concurrent with Venice Biennial and ‘P.I.E.T.A.S.’ at Studio 9 in Istanbul.
Check out Albano’s skincentric sculptures below, which transform our banal bodysuits into a glorious labyrinth of cellulite and wrinkles. Monstrous, animal and human, the works prove that skin is at its most fascinating when delivered raw.
Kate Clark, L’ animal est un homme inexpressif * et je reste dubitative de son travail, n’étant absolument pas fan de la taxidermie en général. [animal is an expressionless man]
Kate Clark is a sculptor who lives and works in Brooklyn, NY. Her work studies the tension between personal and mythical realms by creating sculpture that synthesizes the human face and the body of wild animals.
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Kate Clark – taxidermie art sculpture animal / Human details
« Son concept est né lors de ces études, à l’université d’Ivy League, en lisant le livre « Becoming Human : Evolution and Human Uniqueness » de Ian Tattersall.
Elle s’attarde sur un chapitre sur l’évolution du visage humain. Cette partie du livre traite des changements spécifiques ayant eu lieu sur le faciès humain avec le temps tels que le visage imberbe, le blanc des yeux, les sourcils, … et en quoi ils ont permis de faciliter la lecture d’une grande variétés d’expressions faciales.
Ces oeuvres sont créées à partir de vraie peau animale. Pour la création des têtes, elle sculpte les visages de ces oeuvres de manière à ce qu’elles soient crédibles et réalistes.
Les sections de peau qui recouvrait auparavant le visage de l’animal sont rasées de leur fourrure et apposées sur le visage sculpté en prenant soin de faire concorder, par exemple, les cils et les paupières de l’animal avec le pourtour des yeux humains. Cette peau rasée rappelant, par son côté huileux et poreux la peau humaine pour plus de réalisme bien que les coutures et points montrent un travail de reconstitution. Il a fallu de nombreux essais pour qu’elle soit capable de trouver l’équilibre entre les traits faciaux animaux et humains.«
*(Titre et une partie de l’article, lire la suite sur efonderie)
Steampunk sculpture by Edouard Martinet – Mixed-media art.
Animal and Insect Assemblages Made from Repurposed Objects. (France)
Edouard Martinet – Dragonfly – 37″ x 49″ x 15″ / steampunk sculpture art
iPad Art – Morgan Freeman Finger Painting by artiste Kyle Lambert, à l’aide de l’appli Procreate (5,49€). +200h
Incroyable /
Image modèle :
Portraits de Lita Cabellut «Je veux forcer les gens à regarder les gens, ils sont des figures caractéristiques puissantes. Je travaille l’expressionnisme, mais j’ai développé mon propre style. C’est une sorte de techniques de collage, combinée à l’huile. C’est une fresque. C’est la force avec laquelle vous peignez, comment vous utilisez de la peinture sur la toile, le toucher. Tout ceci est une combinaison de philosophie et de physique. »
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The Spanish Lita Cabellut was born on 1961 in Barcelona, where she grew up in a poor Gypsy-environment.
Her work is closely intertwined with the memories of the old area of Barcelona, El Raval, with closeness to the docks, La Bocquerai market, Las Ramblas and Sant Antonie market, replete with pickpockets, street performers and of course, prostitutes.
After 13 years of street and orphan life she got adopted. In this new period of her life she discovers the Prado museum. She become amorous with Goya, Velazquez, Ribera and Rembrandt. One of her preferred statements explaining her passion is: « I married very young, my first marriage was with the art ». I can endorse this is the case of Lita.
She got her first exhibition on the age of 17 at the Town Hall of Masnou, Barcelona. At 19 she decided to change her native country Spain, for new challenges in the Netherlands, where she studied between 1982-1984 at the Rietveld Academy in Amsterdam.
Nowadays, Lita Cabellut is considered as a painter with a unique pictorial language, using a contemporary variation on the fresco-technique and a immensely enjoyable, communicative and recognizable ‘Cabellut-palette’. Lita Cabellut’s ‘human-faced’ paintings are exposed all around the globe, in New York, Dubai, Miami, Singapore, Hong Kong, Barcelona, London, Paris, Venice, Monaco, Seoul and many more cities.
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Blog Graphiste, Sculptures, Photos, Ver et Vie
