Dandelion Birds Photographic V2 – Throw Pillows, bags, T-shirt, iphone, ipad…
- on Society6.
Prince Fluffy Kareem help horses – donkeys and camels in Egypt –
Ca fait un moment que je suis leur page sur Facebook et ils font un travail formidable, un exemple parmis d’autres – comme pour cette jument arrivée dans un état pitoyable dans leur asso (voir photo ci-dessous).
Elle n’était pas vouée de par son état à être maman… car souffrant de calcification dans ses pattes avant et d’atrophie musculaire du fait d’avoir été gravement émaciée.
Pour la « Fête des Mères » fêtée aujourd’hui dans certains pays, ils ont reposté la video de la naisssance de son poulain ! Une vraie émotion (dont j’ai pompé la video, j’espere qu’ils ne m’en voudont pas ! :)
Je copie-colle de même leur texte ci-dessous (en anglais) de l’époque où ils l’ont accueilli, expliquant la situation.
When her teats started dripping milk, we realized the vet had been mistaken, and she was actually two months further along than originally assumed. After many days and nights on constant foal watch she gave birth just the night we weren’t intending to stay awake. We were accidentally on the land at night because of a sick foster horse that we were giving IV fluids, and just as we finished up and closed the lights, Na3na3’s water broke. Her foal was called Tayyar (which translates roughly to « someone who flies »), and after he was born I had post-natal depression for weeks. I hadn’t wanted a foal, and I felt overwhelmed with guilt and responsibility for a new life. I didn’t touch him and didn’t cuddle him. However, he grew on me slowly by being the kindest and gentlest foal ever. All the others are really cheeky, but Tayyar is the perfect gentleman and only wants to be brushed or cuddled. Before he was born, people were telling me Na3na3 would be happy to be a mum, and I thought « what a load of sentimental crap – that’s just instincts ». But I have to say, I really do believe she is enjoying motherhood. She is a people’s horse, and doesn’t like any other horses so she was always a bit lonely. She loves all the extra attention that comes with having a foal, loves to be with her son, and she has even taken on our two rescue foals Weeble and Blossom – they are the only ones allowed to eat with her. She looks like she has triplets when they are all going around in a herd So happy, happy Mother’s Day to all of you two-legged and four-legged mothers!
Contributions can be sent via Paypal to princefluffykareem@hotmail.co.uk (Preferred currency is GBP but this PayPal account will accept all currencies)
Bank transfers:
NB: If you are making a donation or setting up a regular payment to any of these following accounts please could you reference the payment with PFK (and then your name so that we will see who the payment is from)
UK Residents can use the (PFK) account of Emma Thompson: Natwest Sortcode 524142 Account Number 48150428
Australians can use the (PFK) account of S. Foley PFK Fundraising: IMB bank BSB 641 800 Account number 200677481
NB: It is possible to make an international transfer to the UK account IBAN: GB86NWBK52414248150428, BIC: NWBKGB2L but please check with your bank as sometimes international bank transfers can incur heavy fees!
We get many messages from followers who would like to send us used tack. Due to the very unreliable Egyptian postal system as well as customs wanting taxes and bribes, it is not possible to post items directly to us in Egypt. To ensure delivery all items must be couriered in by someone visiting Cairo, usually Marte from Norway or Emma from England. Due to limited luggage allowance we prioritise wound treatment products, wormers, fluffy nosebands and girth covers. If you would like to send something, please send us a message to get the address.
Other things you can do to help:
– Spread the word! Share our Facebook page and our website. The more awareness for the cause, the better.
– Hold a fundraiser for Team Kareem! Many of our supporters have held cake stalls, auctioned off used tack or their own drawings and paintings, and one eager fluffeteer even held a Breakfast Barbeque Fundraiser in his office!
Thank you to everyone for joining, for reading, for commenting, for sharing the page, for fundraising, for donating, we could never have done this without you!
Jephan de Villiers – par « Nature » sculpteur, born 1940.
Il apprend, seul, la sculpture en observant la nature – récoltant bois, feuilles, graines, terre ou boue. Inspiré des oeuvres de Giacometti, Brancusi et de Zadkine. Son univers est poétique et empreint de nature humaine. Des êtres fragiles en bois ou en terre, des « natures mortes » qui ont beaucoup à raconter sur l’état du monde.
Alone, he learns sculpture by observing nature – collecting wood, leaves, seeds, soil or mud. Inspired by the works of Giacometti, Brancusi and Zadkine. His poetic universe is full of human nature. The fragil wooden or land, « still lifes » who have much to say about the state of world.
Horses sculptures by Stephanie Revennaugh, born 1973 – USA
I model form because it is the most natural way for me to express an idea or feeling. I model the horse because its form has been imprinted into my consciousness through long hours of interaction, focused observation and drawing. While I am fascinated with the beauty and elegance of equine design, it is the sensitive spirit of the horse which invites exploration of more abstract deeper meanings. Striving towards goals and seeking adventure juxtaposed to finding peace and serenity are themes that appear in my work, alongside thoughts on a gregarious social life versus introspective solitude.
The elk dance… :)
Fantastic malaysian photographer – Abe Less on 500px
La Faim. Documentaire de Marcus Vetter.
Sans commentaire.
Le niveau de production alimentaire n’a jamais été aussi élevé qu’aujourd’hui. Pourtant, plus d’un milliard de personnes souffrent aujourd’hui de la faim dans le monde, soit une personne sur sept, et leur nombre ne cesse de grandir. À Port-au-Prince, les pauvres se nourrissent de galettes composées principalement de boue ; dans certaines régions du Kenya, c’est la moitié des enfants qui meurt de malnutrition ; en Inde, de nombreux petits paysans surendettés sont acculés au suicide. Ces victimes de l’extrême pauvreté exposent avec clarté leur situation sans issue. Des témoignages complétés par la contribution d’experts locaux et de militants, notamment la biologiste indienne Suman Sahai, fondatrice de ONG Gene Campaign, ou des membres de Greenpeace luttant pour le droit des paysans brésiliens.
Cynisme
Mais les réalisateurs vont plus loin, décryptant les rouages d’une tragédie dont les responsables sont à la fois identifiables et impunis, d’un grand cultivateur de soja en Amazonie à une pépinière géante de roses qui, au Kenya, consomme la quasi-totalité de l’eau disponible dans la région. Malgré la disparité des situations en Haïti, en Inde ou en Mauritanie, La faim met en lumière la grande similarité de leurs causes, d’un terrible cynisme : avec la mondialisation, l’urbanisation et les politiques de libre-échange imposés à grande échelle, les petites sociétés paysannes ne sont plus en mesure de se nourrir. Pire encore, les savoir-faire locaux menacent d’être à jamais perdus. Tant que cette logique prévaudra, les politiques d’aide au développement resteront largement inefficaces.
Sculptures hyper-realistes de Marc Sijan, born in Serbia in 1946.
Sijan’s inspiration was Michelangelo’s David; he was always fascinated by Michelangelo’s awareness of human anatomy and his ability to execute this awareness. However, unlike Michelangelo, Sijan does not celebrate the ideal form; his works are tributes to real people and in their realism, they are unpretentious and gritty and communicate a deep sense of emotion. In order to achieve the ultra-realistic finish, Sijan initially works from a live model and produces a plaster mould. He then sculpts the interior of the mould with tools and a magnifying glass and then casts the figure in a polyester resin. To achieve realistic flesh tones, Sijan applies twenty-five coats of paint and varnish. His goal is to achieve depth, yet translucency and spends as long as six months reproducing these details on each piece.
The beautiful macabre jewelry by Macabre Gadgets, Kiev, Ukraine.
Divine art dolls by Tireless Artist, born in Lithuania.
I just can’t describe the wonderful feeling of creating a doll. I enjoy each process. First they appear in my mind, and I am carrying them there for a while. I am trying to see as many details as possible – the face, the position, the colors, the fabrics of the outfit, all the accessories and finally to guess the character’s name and the story behind it. When I know enough, I am starting to work. I’m making sketches and notes in purpose to put all the ideas together and I keep it as a reminder on my table during the whole doll making process.
I never stop getting surprised, when a simple peace of clay turns into a face with its own character. It takes a lot of hours until I am completely satisfied with the sculpting. I keep cutting, sanding and sculpting again until there comes a moment when I see – yes, this is it!
Creative sculptures figuratives of Dirk De Keyzer, né à Sleidinge, près de Gand, en 1958.
Sculpter n’est pas un choix pour Dirk de Keyzer, c’est avant tout sa nature propre. Il façonne surtout des femmes élégantes au visage déterminé mais aussi des hommes à l’air farfelu. Ils rayonnent un goût de vivre sans complexe et poussent leurs observateurs au relativisme. Dirk de Keyzer est un pur créateur de formes et de silhouettes qui renvoient à la réalité mais qui en sont aussi une interprétation restant toutefois fidèle à l’harmonie ou à l’esthétique.. Son travail au fil du temps s’imprègne d’un univers singulier, hors du réel, féérique et magique.
(source : Barthoux)