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  • Magnifique photographie equine Wiebke Haas
  • Photographie equine Wiebke Haas
  • Photographie equine Wiebke Haas
  • Photographie equine Wiebke Haas
  • Photographie equine Wiebke Haas
  • Photographie equine Wiebke Haas
  • Magnifique photographie equine Wiebke Haas
  • Magnifique photographie equine Wiebke Haas
  • Magnifique photographie equine Wiebke Haas
  • Magnifique photographie equine Wiebke Haas
  • Magnifique photographie equine Wiebke Haas
  • Magnifique photographie equine Wiebke Haas
  • Magnifique photographie equine Wiebke Haas
  • Magnifique photographie equine Wiebke Haas
  • Magnifique photographie equine Wiebke Haas
  • Magnifique photographie equine Wiebke Haas
  • Magnifique photographie equine Wiebke Haas
  • Magnifique photographie equine Wiebke Haas
  • Magnifique photographie equine Wiebke Haas

Photographie équine Wiebke Haas

Photographie équine Wiebke Haas (Allemagne) – Professional photo shootings worldwide.

Magnifique photographie equine Wiebke Haas

Magnifique photographie equine Wiebke Haas

  • Mark Ryden – virgin and child painting
  • Mark Ryden – painting
  • Mark Ryden – Queen Bee 2013
  • Mark Ryden – Porcelain Meat Cart
  • Mark Ryden – Aurora painting
  • Mark Ryden – Aurora painting

L’univers pop surréaliste de Mark Ryden

L’univers pop surréaliste de Mark Ryden. (USA / born January 20, 1963)

Blending themes of pop culture with techniques reminiscent of the old masters, Mark Ryden has created a singular style that blurs the traditional boundaries between high and low art. His work first garnered attention in the 1990s when he ushered in a new genre of painting, « Pop Surrealism », dragging a host of followers in his wake. Ryden has trumped the initial surrealist strategies by choosing subject matter loaded with cultural connotation. Ryden’s vocabulary ranges from cryptic to cute, treading a fine line between nostalgic cliché and disturbing archetype. Seduced by his infinitely detailed and meticulously glazed surfaces, the viewer is confronted with the juxtaposition of the childhood innocence and the mysterious recesses of the soul. A subtle disquiet inhabits his paintings; the work is achingly beautiful as it hints at darker psychic stuff beneath the surface of cultural kitsch. In Ryden’s world cherubic girls rub elbows with strange and mysterious figures. Ornately carved frames lend the paintings a baroque exuberance that adds gravity to their enigmatic themes. 

Mark Ryden - Aurora painting

Mark Ryden – Aurora painting

  • Miho Hirano – Oil painting
  • Miho Hirano – Oil painting
  • Miho Hirano – Oil painting
  • Miho Hirano – Oil painting
  • Miho Hirano – Oil painting
  • Miho Hirano – Oil painting – 2011
  • Miho Hirano – Oil painting
  • Miho Hirano – Oil painting
  • Miho Hirano – Oil painting
  • Miho Hirano – Oil painting
  • Miho Hirano – Oil painting
  • Miho Hirano – Oil painting – 2009

La délicatesse des peintures de Miho Hirano

La délicatesse des peintures de Miho Hirano – peintures à l’huile / Oil painting (Japan)

Miho Hirano - Oil painting - 2009

Miho Hirano – Oil painting – 2009

Miho Hirano est diplômée de l’Université Musashino Art. Ses peintures représentent des femmes fragiles, rêveuses qui semblent fusionner avec la nature, les cheveux flottent dans des branches d’arbres fleuris, entourées d’oiseaux, ou d’algues.

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Miho Hirano, graduated from Musashino Art University. Her fantasy art is inhabited by ephemeral women who seem to be merging with their environment, the hair suspended into flowering tree limbs, bird filled bushes, and drifting seaweed.

  • Fausto Salvi Ceramic sculpture
  • Fausto Salvi Ceramic sculpture
  • Fausto Salvi Ceramic sculpture
  • Fausto Salvi Ceramic sculpture
  • Fausto Salvi Ceramic sculpture
  • Fausto Salvi Ceramic sculpture

Fausto Salvi Ceramic

Fausto Salvi Ceramic (Italia)

Fausto Salvi Ceramic sculptures

Fausto Salvi Ceramic sculptures

  • Joey Camacho -3D artwork – Sherbert
  • Joey Camacho -3D artwork – What the
  • Joey Camacho -3D artwork – Smooth talker
  • Joey Camacho -3D artwork – Make waves
  • Joey Camacho -3D artwork – In good compagny
  • Joey Camacho -3D artwork – Head turner
  • Joey Camacho -3D artwork – Fast walker
  • Joey Camacho -3D artwork – Epicenter
  • Joey Camacho -3D artwork – Capsule
  • Joey Camacho -3D artwork – Bonds
  • Joey Camacho -3D artwork – Gather

Joey Camacho – 3D Artwork

Joey Camacho – 3D Artwork – Graphic designer (Canada) utilise les logiciels Cinema 4D et Octane Render.
J’aime beaucoup le côté minéral de ses sculptures 3D.

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Specializes in comprehensive brand development and 3D design and is a graduate from the Alberta College of Art + Design with a degree in Visual Communications. Joey recently wrapped up his 365 day project “Progress Before Perfection” using Cinema 4D, creating a render everyday for a year in order improve his craft and produce work more efficiently.

Joey Camacho -3D artwork - In good compagny

Joey Camacho -3D artwork – In good compagny

 

  • Kazuhiro Tsuji – Sculpture Dali
  • Kazuhiro Tsuji – Sculpture Dali
  • Kazuhiro Tsuji – Sculpture Andy Warhol
  • Kazuhiro Tsuji – Sculpture Andy Warhol
  • Kazuhiro Tsuji – Sculpture Andy Warhol
  • Kazuhiro Tsuji – Sculpture Abraham Lincoln
  • Kazuhiro Tsuji –  Sculpture Frida Khalo
  • Kazuhiro Tsuji –  Sculpture Frida Khalo
  • Kazuhiro Tsuji – Sculpture Frida Khalo
  • Kazuhiro Tsuji – Sculpture Dick Smith
  • Kazuhiro Tsuji – Sculptor portrait

Hyperrealist sculptor Kazushiro Tsuji

Hyperrealist sculptor Kazushiro Tsuji

Kazuhiro Tsuji - Sculpture Frida Khalo

Kazuhiro Tsuji – Sculpture Frida Khalo

Kazuhiro Tsuji is a contemporary hyperrealist sculptor living and working in Los Angeles. After working 25 years as a special effects makeup artist in Hollywood, Kazu decisively shifted focus in 2008, dedicating himself full time to fine art sculpture. Using resin, platinum silicone, and many other materials, Kazu constructs three-dimensional portraits in a scale two times life size.

  • Jim skull – Corde et feutrine
  • Jim skull – Ambre sculpture
  • Jim skull – Coquille d’oeuf
  • Jim skull – Coquille d’oeuf
  • Jim skull – Corde de papier serie
  • Jim skull – Corde de papier serie
  • Jim skull – Corde de papier serie
  • Jim skull – Cordes naturelles
  • Jim skull – Cordes naturelles
  • Jim skull – Cordes naturelles
  • Jim skull – Cordes naturelles
  • Jim skull – Cordes naturelles
  • Jim skull – Crins de cheval
  • Jim skull – Crins de cheval
  • Jim skull – Crins de cheval
  • Jim skull – Perle et murano
  • Jim skull – Tapas serie
  • Jim skull – Tapas serie
  • Jim skull – Sculptures perles/corail 2013 / www.jim-skullgallery.com
  • Jim skull – Sculptures

Jim skull sculptures

Jim skull sculptures. (FR)
Cordes naturelles, cordes de papier, crins de cheval, coquille d’œuf… Autant de matières utillisées par Jim pour créer ses sculptures..

Jim skull - Perle et murano

Jim skull – Perle et murano

It is in Koumac in New Caledonia that the adventures of Jim, our skull artist, begin. It is also a gateway for Oceania
and many other horizons. He goes to New Zealand, stops over Vanuatu, discovers Australia, India, and lands in Hong-Kong.
Human experiences, cultural, ritual, he is marked by his travels and encounters.
Back to Paris, we are in 1976. He enters Estienne School, then the Applied Arts School Olivier de Serres.
1980, he creates his first skulls. His vocation is now revealed and will never leave him.
He holds exhibitions in Parisian bars, takes part in the Salons d’Art, improves his technique… creating the refined result we know of today.
Contemporary art, African, Oceanian, Amerindian, popular, religious… multiple passions and a melting-pot of influences

Lives and works in Paris

  • Jeremy Mayer – Typewriter assemblage sculpture
  • Jeremy Mayer – Typewriter assemblage sculpture
  • Jeremy Mayer – Typewriter assemblage sculpture
  • Jeremy Mayer – Typewriter assemblage sculpture
  • Jeremy Mayer – Typewriter assemblage sculpture
  • Jeremy Mayer – Typewriter assemblage sculpture wings
  • Jeremy Mayer – Bird – Typewriter assemblage sculptures
  • Jeremy Mayer – Typewriter assemblage sculpture robot
  • Jeremy Mayer – Skull I – Typewriter parts – 23 x 30 x 38 cm
  • Jeremy Mayer – Typewriter assemblage sculpture atelier
  • Jeremy Mayer – Typewriter assemblage sculpture – Penguin III
  • Jeremy Mayer – Typewriter assemblage sculpture – Deer III. 2010
  • Jeremy Mayer – Typewriter assemblage sculpture – Cat
  • Jeremy Mayer – Cat XXI – Typewriter parts – 20 x 30 x 50 cm – 2014
  • Jeremy Mayer – Typewriter assemblage sculpture Cat
  • Jeremy Mayer – Cat – Typewriter part sculpture
  • Jeremy Mayer – Typewriter assemblage sculpture portrait

Jeremy Mayer – Typewriter assemblage sculpture

Jeremy Mayer – Typewriter assemblage sculpture (live and work in Oakland)

Jeremy Mayer disassemble typewriters and then reassemble them into full-scale, anatomically correct human figures: « I do not solder, weld, or glue these assemblages together – the process is entirely cold assembly. I don’t use anything that doesn’t come from a typewriter. »

Jeremy Mayer - Typewriter assemblage sculpture - Cat

Jeremy Mayer – Typewriter assemblage sculpture – Cat

  • Mecacrene sculpture – Gonzal
  • Gonzal – Sculptures steampunk
  • Gonzal – Sculptures steampunk
  • Gonzal – Sculptures steampunk crânes – hommes augmentés
  • Gonzal – Sculptures steampunk crânes – hommes augmentés
  • Gonzal – Sculptures steampunk crânes – hommes augmentés
  • Gonzal – Sculptures steampunk
  • Gonzal – Sculptures steampunk
  • Gonzal – Sculptures steampunk
  • Gonzal – Sculptures steampunk

L’homme « augmenté » Sculptures de Gonzal

Sculpture Steampunk – L’homme « augmenté » Sculptures de Gonzal – (FR)

« L’homme « augmenté » est déjà là, l’homme asservi aussi, le post-humanisme est en marche. Or pour moi, il n’est pas certain que cette marche conduise à des lendemains qui chantent. « 

« …sur la grande majorité de mes crânes, une seule moitié est ornementée, l’autre partie étant l’esprit libre, la part d’espoir et d’humanité. »

« Quels humains serions-nous en abusant des technologies ? Cette interrogation traverse les crânes sur lesquels je travaille. Je les aborde par moitié, la première montre ce que nous sommes aujourd’hui, la seconde ce que nous deviendrions demain dans l’hypothèse d’une mutation. Je cherche pour mes crânes une forte charge symbolique, mais aussi une noirceur, et je rends hommage aux savoir-faire des anciens pour conserver un lien entre passé, présent et futur. » – GONZAL

Gonzal – Sculptures steampunk

EXPO : du Vendredi 12 Fév. au Vendredi 4 mars 2016, OPENING SHOW Vendredi 12 Fév. 2016 – START 18h/ 23h30
Event : https://www.facebook.com/events/143968435981629/
2ème Sous-sol de LES FILEUSES, 71 RUE ST HONORé, 75001 PARIS
METRO : CHATELET/ LES HALLES

  • Kevin Titzer Sculptures – On The Road To Obsolescence – 2011
  • Kevin Titzer Sculptures – On The Road To Obsolescence – 2011
  • Kevin Titzer Sculptures – On The Road To Obsolescence – 2011
  • Kevin Titzer Sculptures – Nail Biter – 2010
  • Kevin Titzer Sculptures – Apples – 2011 detail
  • Kevin Titzer Sculptures – Apples – 2011
  • Kevin Titzer Sculptures – Trust Me – 2015
  • Kevin Titzer Sculptures

Sculptor Kevin Titzer

Steam art recycle Sculptor Kevin Titzer (USA-Quebec)
Sculptures de l’artiste Kevin Titzer, magnifique univers aux parfums d’enfances, pas si innocents..

Kevin Titzer Sculptures - Apples - 2011

Kevin Titzer Sculptures – Apples – 2011

 

  • Neil Clifford – Spirit Within – Sculpture – Plaster on Stainless Steel
  • Neil Clifford – Spirit Within – Sculpture – Plaster on Stainless Steel detail
  • Neil Clifford – Spirit Within – Sculpture – Plaster on Stainless Steel detail
  • Neil Clifford – sculpture bronze – Desolation sound
  • Neil Clifford – sculpture bronze – Desolation sound

Neil Clifford Bronze & Granite Sculptures

Neil Clifford Bronze & Granite Sculptures (Canada)

“The quality of our lives is enriched and enhanced by surrounding ourselves with art that express values beyond their aesthetic, that possess intelligence in their creation, that one can interact with and that will stimulate the senses every time one engages with them.

Over the past thirty-five years I have travelled to remote areas of the planet, fascinated by cultures who live in community with nature – to engage with artists whose work is imbued with powerful connections to their ancestral lands. The awareness that art-making acts as a vehicle for understanding our place within a greater context, guides my own artistic pursuits.”

Neil Clifford - Spirit Within - Sculpture - Plaster on Stainless Steel detail

Neil Clifford – Spirit Within – Sculpture – Plaster on Stainless Steel detail

(Ce n’est pas vraiment mon style de sculpture, mais la sculpture du cheval est magnifique.)

« Pour donner à cette sculpture tout son pouvoir, ou « dynamique interne », je développé un procédé qui fait éclater le vernis du cheval. Une fois durci, les pigments révèlent une myriade craquelée aléatoirement – un paysage en surface tout à fait inattendue comme les couleurs absorbées par la matière.
Une illustration unique est née, sans possibilité de précision dans la reproduction ou dans la cohérence de la finition. »

“Spirit Within”
2013 One of a Kind
Hydrocal, Steel, Pigment
27″H 24″W 8″D

To give this sculpture its power, or “internal dynamic”,  I developed a process that shatters the veneer of the horse as it is cast. Once cured, pigments wiped across the sculpture reveal myriad random cracking and unseen textures – a wholly unexpected landscape surfaces as the colours are absorbed by the material. A unique artwork is uncovered, with no possibility for accuracy in reproduction or consistency in finish.

Seena Nayeri Iranian Sculptor

Seena Nayeri Iranian Sculptor and photography

And this reviving Herb whose tender Green
Fledges the River-Lip on which we lean—
Ah, lean upon it lightly! for who knows
From what once lovely Lip it springs unseen!

Seena Nayeri Iranian Sculptor

Seena Nayeri Iranian Sculptor

  • Zhu Tian – Babe – Silicone, human air, pigment – 2013
  • Zhu Tian – Babe sculpture – Silicone, human air, pigment
  • Zhu Tian – Babe sculpture – Silicone, human air, pigment1
  • Zhu Tian – Babe sculpture – Silicone, human air, pigment

Zhu Tian – Des chaussures aux poils

Zhu Tian – Des chaussures aux poils intitulées « Babe », (Chine).
Inutile mais c’est très bien fait.
Sculpture hyper réaliste : Caoutchouc, cheveux humains, pigment 18 x 12 x 8 cm

Zhu Tian (China) – « Babe » – hyper realiste sculpture : Rubber, human air, pigment – 2013

VISITEZ MA PAGE DÉDIÉE AUX SCULPTEURS HYPER-REALISTE à travers le monde >> “SCULPTEUR ADDICT”

  • Chris Riccardo – Sculpture
  • Chris Riccardo – Sculpture
  • Chris Riccardo – Sculpture – White Girl
  • Chris Riccardo – Sculpture
  • Chris Riccardo – Sculpture
  • Chris Riccardo – Sculpture
  • Chris Riccardo – Sculpture
  • Chris Riccardo – Sculpture – The White Rabbit
  • Chris Riccardo – Sculpture – Swinger
  • Chris Riccardo – Sculpture – Do it
  • Chris Riccardo – Sculpture – Cocaine Cowboy
  • Chris Riccardo – Sculpture – Albert
  • Chris Riccardo – B&E – 32 H x 16 W x 12 in – Sculpture
  • Chris Riccardo – Sculpture – portrait

Chris Riccardo Figurative sculpture

Chris Riccardo Figurative sculpture (USA)

Chris Riccardo - Sculpture - Cocaine Cowboy

Chris Riccardo – Sculpture – Cocaine Cowboy

« My sculptures are a direct physical manifestation of my inner thoughts and moral struggles. They are frozen moments in time ripped from the on going struggle that takes place in my mind. The battle between good and evil, right and wrong and quite honestly a multitude of both morally and ethically questionable thoughts.

My head is swimming with insecurities and feelings that sometimes make it an uncomfortable place to be. I want my viewers to share in this discomfort, to really feel what it is like to spend a minute in my mind. If one walks away from my work and feels somewhat violated, excited, intrigued, and maybe even a little happier, than they truly know who I am, and I have succeeded.

My process begins with a thought, a vision, a look, a trigger that draws me to the clay. Gone are the days of exhaustive preliminary sketches and maquettes, I simply visualize how I want the clay to look and begin to throw it into a solid mass. Slowly and painstakingly I begin to build and tear at the surface, gradually making aesthetic changes as I see fit. »

Studio Vérité: Chris Riccardo from Jacques de Beaufort on Vimeo.


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